Horace Scudder, editor of The Atlantic Monthly, rejected Charlotte Perkin Gilmans request for her piffling word report The yellowed W every last(predicate)paper to be published on the movement that it was non morally uplifting. It is understandable that editors would pauperization quick stories as their main marketplace store are good deal who establish for diversion and to escape from casual life. They do non want to read about policy-making and societal lines. This explains why, for business purposes, they would not want to publish the short bill. Yet Scudder did not distinguishm to full understand the undertones of The Yellow Wallpaper, as all he cared to mention was that it do him miserable. The Yellow Wallpaper gives readers an insight into the founding of effect, which many people from that era never saw, and definitely did not understand. Medical groups did not know of post-natal depression, which lead to a scathe diagnosis of her problem and therefore an improper treatment. She was isolated and told not to do anything stimulating. In 2004 she would have had treatment which consists of anti-depressant drugs like fluoxetine hydrocholoride and counselling and patronise groups. One could argue that her tale of depression led to the discovery of a new form of depression. It is excessively debatable as to whether or not the story was all that miserable.
The general story is somewhat gloomy as we see the main shells setting go from bad to worse. In the stopping point though, the main character who was suffering from depression escapes from the forced containment. To m e this seems happy as she at long last has ! freedom to do what she wants. Same goes for the symbolic subplot. The climax is that the charr imprisoned by the cover manages to get out, suggesting that men no longer control women. As mentioned in the Afterword, no-one... If you want to get a full essay, allege it on our website:
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