My Sociology Paper Essay

High look sharp automobile come afters atomic number 18 unmatched of the most steeplighted opens in television today. Using aerial shots to give viewing sense of hearing a better preview of the scene, the media even interrupts regular programs to bring peculiar(prenominal) reports of these fast-moving headlines. The media launches multiple fleets of helicopters (which main purpose for existence is to watch and update business conditions in real-time) to follow these elevator car chases until they end either losing the perpetrator or catching them sometimes without casualties, and sometimes with multiple damages subjoined to the casualties of innocent bystanders.throughout modern history, television entertainment and racing has been closely related spawning some(prenominal) different events to the fore such as F-1 and NASCAR racing. Many would owe their popularity to the epinephrin rush these heights-performance vehicles incite in their viewing audience, and likely, t his reason also trickles drink to spicy gear hotfoot car chases, which atomic number 18 growing more than openhanded over the recent years.More to this, the growing debate on whether the law are to blame for the chases they give to problematic device drivers incites more deal to add to the fray, as well the intrigue surrounding the egress of why the driver didnt pull over in the first place. This and many separate concomitantors pay back made car chases a media staple something that viewers leave behind look forward to honoring (Settgast 2008).With death tolls, injuries and intrigue surrounding these particular(a) broadcasts, editorials appear criticizing the natural law for genuinely giving chase and not allow these vigilantes go on their way. But even bombarded with criticisms, the police dont give up the chase and continue with the search of these reckless drivers (Sowell 2007). in that respect are many reasons as to why police officers give chase to reckle ss drivers.As a matter of fact, courts have continuously investigated on whether the chases are necessary and the use of force by the police to arrest them are justified such as the case of Scott v. Harris where a police rammed the car of a 19-year old, rendering him quadriplegic (Settgast 2008). This, and other cases has set the media hogging up more airtime for police chases because of several reasons one of which is because police car chases, by themselves, already have the star factor to attract viewers.The media exposition of the high focal ratio car chases, from the thrill of the chase to the dramatic (or non-dramatic) ending, have always had viewers finding themselves hooked on the screen once it turns on. The interpretative work is one of the nonpluss that explain viewer behavior on media. As Giddens describes, the model views that the audience has a powerful roleThe interpretative model views audience response as shaping the media though its engagement or rejection of i ts take (2000).This means that the media is actually beholden to their viewers if moreover because of the competition they have with other television media companies, and their desire to increase their rating. With more viewers attuned to them, the higher(prenominal) their ratings would become, therefore they would attract more sponsors and more sources of income. In this regard, the medias handicraft is to please their viewers also because it is a necessity for them in score to survive.Because of the wide acceptance by the public of high accelerate car chases as a from of entertainment, the media has jumped at the chance to improve their ratings by masking these through special live reports. One of the most famous and iconic showcase of this is the car chase involving O. J. Simpson in 1994 where For 2 hours, 95 meg Americans ignored the sixth game of the professional basketball finals in the eastern United States and the sunset in the West to stare at the tube as a white F ord Bronco drove sedately on one strand and then another of L.A. s web of freeways (Reuven 1994).With this sweet of attention the media gets from the public and the medias response to getting more of this on television, it is evident that audiences now have the freedom to watch what they want (Chinni 2005) . We apprehend that the publics attention to high zip car chases actually seems like a glorification of the crime, especially as they are envisioned in movies and are used to be redeeming factors no matter how disastrous a movie turns out to be (Dean 1993).Another cheek to the story is that high speed car chases sometimes involve military force and some people hope there would be some live up to if only for reasons of entertainment. Some even consider high speed car chases, themselves to be violence on its own as it capitalizes on self-asserting behavior. There are multiple evidences that point to the fact that violence is a form of entertainment is multiple and that the media jump on the chance to be in the action increase their ratings. However, media influence on people is a part of the deal and cannot be ignored.Exposure to almost anything the media imparts creates a bailable atmosphere for aggressive behavior which translates to action over time. Whether the effects are little or the effects are large (in the midst of the on-going debate of the extent of media influence over its viewers), the bottom line is with the medias emphasis on aggressive behavior (such as high speed car chases) it is important to note that there is a high likelihood of people imitating the high speed car chases themselves due to drug or alcoholic influences (Felson 1996).In this case, not only do the people bring down what the media will showcase and highlight in their programs, but the media also influences how people perceive the world and influence their choices and preferences of shows and broadcasts. Also of considerable notice is the fact that people, devoid of the factors that control their inhibitions, are susceptible to be the perpetuators of high speed car chases themselves as can be read from the study.Such factors that fetch to the removal of inhibitions include the influences of drugs, alcohol, and others. As such, the likelihood that people would be experiencing and exhausting out for themselves the thrill of high speed car chases is high.We see that these two factors together (public influence on media and media influence on the public), creates a pitiful cycle of the continuous glorification of aggressive behavior, such as high speed car chases.This glorification is, first of all, seen in how people are attracted like moths to a flame by the star factor of this broadcast/report. Owing to the high speed car chases innate ability to chew out emotions (such experiences can also be found in pro-sporting events such as football and NASCAR racing), people become more and more addicted to watching them, and in the end, spurring the media to feature more whenever these incidences take place.Moreover, high speed chases in Hollywood add to the thrill effect of this dangerous pursuit making them more palatable to their viewers. Secondly, the glorification comes in the form of media sensationalizing these high speed car chases by making it seem more kindle than it actually is like adding the words special and other effects to these reports. Also, the media takes these high speed chases to the editorial newsroom to spur more of the excitement even if it only lasts for a few days.In essence, the thrill effect of high speed car chases and the sensationalism by the media glorifies this dangerous sport. Coupled with the emotion-evoking nature of high speed car chases, people are becoming more and more susceptible to its influences (Felson 1996) making the vicious cycle of watching, getting involved in, and publicize them unending.