Prejudice and Racism in Conrads Heart of Darkness :: Heart Darkness essays

racial discrimination in Heart of Darkness Joseph Conrad develops themes of personal power, individual responsibility, and social justice in his restrain Heart of Darkness. His book contains all the trappings of the conventional adventure tale mystery, exotic setting, escape, suspense, and unexpected attack. Chinua Achebe concluded, Conrad, on the other hand, is undoubtedly one of the great stylists of modern fiction and a good story-teller into the bargain (Achebe 252). Yet, despite Conrads great story telling, he has also been viewed as a racist by some of his critics. Achebe, Singh, and Sarvan, although their criticisms differ, are a few to name. Normally, readers are good at detecting racism in a book. Achebe acknowledges Conrad camouflaged racism remarks, saying, Conrad chose his subject well - one which was guaranteed not to put him in conflict with psychological pre-disposition... (Achebe, 253). ***CAN YOU TELL US SPECIFICALLY WHAT THIS MEANS? THE READER DOES NOT KNOW WHAT PSYCHOLOGICAL PRE-DISPOSITION IS*** Having gone back and rereading Heart of Darkness, this while reading between the lines, I discovered some racism Conrad felt toward the natives that I had not discovered the first time I read the book. Racism is portrayed in Conrads book, but one must acknowledge that in the eighteen hundreds society conformed to it. Conrad probably would have been criticized as being soft hearted earlier than a racist in his time. Conrad constantly referred to the natives, in his book, as black savages, common raccoons, brutes, and them, displaying ignorance toward the African history and racism towards the African people. Conrad wrote, Black figures strolled out listlessly... the beaten nigger groaned somewhere (Conrad 28). They passed me with six inches, without a glance, with the complete, deathlike indifference of unhappy savages (Conrad 19). Achebe also detected Conrads frequent use of unorthodox name calling, Certainly Conrad had a fuss with nigge rs. His inordinate love of that word itself should be of interest to psychoanalysts (Achebe 258). Conrad uses Marlow, the main character in the book, as a narrator so he himself can stick in the story and tell it through his own philosophical mind. Conrad used double speak throughout his book. Upon arriving at the first station, Marlow commented what he observed. They were dying slowly - it was actually clear. They were not enemies, they were not criminals, they were nothing earthly now, nothing but black shadows of disease and starvation lying confusedly in the greenish gloom (Conrad 20).